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The track ends with a swirl of “dum”s and “ba ba-ba-ba”s, as if the vocals are mimicking heartbeats (the video makes this even clearer)— or, since they are doubled, specifically two heartbeats. The song tells us that one is the sound of a normal heart, while the other belongs to a lonely one, and there is no distinction. But listen closely, listen repeatedly, and you can hear the difference. The lonely heart doesn’t in fact beat the same.
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It's not just the Research's lo-fi synthpop that makes "Lonely Hearts Still Beat the Same" stand out: it's the sentiment. Pop songs are usually so in love with the very idea of heartbreak that when Georgia sums up her lonely heart with "It's not romantic / It's just automatic / I can't tell the difference" it's more profound than just biological literalism.
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180 seconds of fuckin' twee multi-vocaled cuteness. The Research will change your life, but they'll do it in a hurry. Anyone who hates this song must hate fluffy widdle kitties too.
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Whips the crap exotica fetish out of Stereolab and keeps the alien airiness, saves the economy of Young Marble Giants and loses the darkness, corrupts "heart" metaphors, employs naif boy girl harmonies, and still manages to roll through a field of daisies before riding its bicycle to band practice in springtime, sun hanging above head warming hair.
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Finally, an organic pop/rock track that earns its keep in under three minutes. For all the handwring about the collective attention span, our pop is longer than ever. Those verses are just Teutonic, though.
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This is still very, very nice though: that awkwardly plinkyteplonking organ, the dreamy, melancholic singing, the classic pah-pah-pah's. It's just that it gives me the feeling that The Research is going to be nothing more than the next Fonda 500. I love Fonda 500, but sadly they never scored a number one hit.
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