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The biggest blunder in pushing Breezy's sophomore album: Not releasing this go-go-inspired burner as the lead single. These sound like some Rich Harrison drums, true or no?
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Critical Metrics is a bibliographic database of the 40 thousand most highly recommended songs of all time. We index rave reviews, playlists, year-end lists, awards, artist & celebrity picks, and other editorial superlatives.
Our mission is to create the definitive reference for highly recommended things. At the moment, we’ve devoted ourselves most aggressively to one of the oldest forms of recorded media, and one of our favorites: the song (1890-2008). Our library of 60,000+ song recommendations is heavily weighted towards the present, but we’ve indexed thousands of playlists for music from all decades of the 20th century and continue to expand our selection regularly. Artists, labels, publicists, and misc. music enthusiasts: we very much welcome update requests for songs whose recommendations we’ve missed. No era or genre of music is outside our scope.
SITE NEWS
July 2009
From the day we launched, we've been warned by friends and fans that failure to blog meant failure to exist -- an admonition we've thus far denied. To our great fortune, however, a radical new communication technology has risen, forever erasing the need for tiresome blog-tending to prove our continuing digital existence: Twitter. Want random updates on new content, technical progress, and great playlists and recommendations from all over? Follow us here!
WHO WE ARE
Joey Anuff founded Critical Metrics in June 2006, after 5 years of TV series development at Vh1. His previous web credits include Suck.com (1995-2001), the “web’s first great website,” and the Webby-winning Plastic.com (2001-present.) Critical Metrics’ co-founders include advisors Will Kreth and Fred Graver, developers Mark Suppes and Anton Kiland, and database manager Robin Edgerton.
PRESS CLIPS
“On workdays I often keep a window open to Critical Metrics, my favorite snobby Top 40 station, and try to absorb what’s new. But that doesn’t mean I don’t miss stuff. I miss more and more stuff every day.”
“CM charts a new path toward a very old notion: that what experts have to say is worth hearing. In this arena, as a card-carrying member of the my-musical-taste-can-beat-up-your-musical-taste club, I agree. Now all Anuff needs is the other 4,999,998 of us.”