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“The Songs That We Sing,” one of the album’s more forceful songs with its military stomp is even, at one point, reduced to the slow murmur of humming and tingling bells. “The songs that we sing/ do they mean anything/ to the people we’re singing them to?” she asks like a bored philosopher and then answers uncontently that “tonight they do.” This lackluster commitment and relief is completely ta...
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Music by Air, lyrics by Jarvis Cocker and Neil Hannon, vocals by Serge Gainsbourg's daughter — who gets inside the head of a dead singer, wondering what her songs still mean to the living.
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There's nothing off-putting about "The Songs That We Sing," carried as it is by a rolling piano-and-bells riff and Gainsbourg's relaxed, breathy voice.
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A beauteous cinematic piece of private school ‘rapping’ from the kind of girl who’d ignore us in the library.
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The actress, singer, and daughter of legendary composer Serge breathily coos a noirish number (penned for her by Jarvis Cocker, Air, and the Divine Comedy's Neil Hannon) that will appear on her April 24 U.S. debut, 5:55.
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As gorgeous as a summer meadow and as sulky as a child denied an ice cream, it's a delicately melodic Whistler-esque slice of genius. We may have fallen in love.
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Knowing next to nothing of Charlotte or her recording career, I have no idea if it was conscious homage or eerie coincidence that this song shares the dizzying, disorienting strings of pere's "Bonnie et Clyde." Either way this is a simply gorgeous track that's surely got Dido pouting in her bedroom right now.
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This is rather gorgeous and shows the definite hand and loving touch of Serge-ophiles Cocker and Godrich, said to be involved in Charlotte's new project. A bit epic, but not too much to overwhelm the fragility of the vocals and the lovely undertones hidden beneath the mighty sweep of the thing.
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